We have earned the reputation of always carrying great songs.

How? By Representing Great Writers, and by contracting the best independent staff players in Nashville we create a winning team always poised for success.



Songwriters, Musicians, and Artists

Springbarrel Songwriter Services is known throughout the music community as a comfortable place which is frequented by professional songwriters, musicians, engineers, producers and a host of other music business folk. Take a load off, bend an ear, share project info, and of course, find a hit song - all in a pleasant atmosphere. But, our doors are also open to new and upcoming musical talents. Nothing pleases us more than to find the next hitmaker among those with whom we come in contact.

We take pride in being accessible to writers at an early stage in their career and we strive to develop long lasting relationships. By helping writers make informed decisions early on, we can help their careers grow. New writers have said they (quote), "love the open, friendly, yet competitive atmosphere." They also appreciate that our service includes feedback from the people we pitch their songs to. We highly value the opinions of record producers and A&R staff and we like to pass their comments along to our clients.

Writer/clients who are (or have been) signed to publishing contracts appreciate that there's no such thing as the flavor of the week at Springbarrel. In other words, we don't give up on a great song just because it isn't cut right away. We will continue to pitch a great song to find the right artist and project. Promoting greatness just makes sense to us.

Springbarrel is fortunate to have an extremely dedicated and talented staff and we'd like to take this opportunity to thank them for their good work. (You're the Best!)

Also, we are surrounded by the masters of Bayou Recording, a great facility recently rated by readers of Music Row Magazine as one of Nashville's top 5 studios. The Bayou is staffed by friendly, talented people intent upon satisfying their clients' recording needs. Somehow, every session evolves into an effort among friends who are working to reach a common goal.

Finally, we hope to continue to grow - in wisdom, talent, prosperity, and last, but not least, in our fundamental and universal love of music as we give the glory to the Creator of it all.


Writer Awards:
*3 Nashville Songwriters Association International Awards for #1 Country Songs *1 Nashville Songwriters Association International Awards for #1 Adult Contemporary Song *2 Country Music Association Awards For #1 Country Songs *3 Broadcast Music Incorporated Awards for Most Performed Country Songs *3 BMI One Million Air Awards for Songs having received over one million broadcast performances worldwide *1 BMI Million Air Award for Song having received over two million broadcast performances worldwide *2 Country Music Television Awards for #11 Video

"Pickup Man" Joe Diffie

Howard Perdew, Kerry Kurt Phillips

"Prop Me Up Beside The Jukebox" Joe Diffie

Rick Blaylock, Kerry Kurt Phillips, Howard Perdew

"So Help Me Girl" Joe Diffie

Howard Perdew, Andy Spooner

"So Help Me Girl" Gary Barlow

Howard Perdew, Andy Spooner


How Are Our Pitches Made?

Below is a more detailed look at our daily activities, and in particular, an overview of how a client's Schedule A Song(s) pitches are arranged for, scheduled and carried out.

We receive information and requests for new song material through a variety of means and sources. For example, we are constantly in touch with those involved in recording projects through phone calls and emails. But, the process of collecting and effectively using this information can be somewhat more complex.
To that end we:


-arrange and attend private pitch meetings with Artists, Managers and Record Label Executives.

-utilize paid subscription source information compiled by industry researchers.

-receive info concerning recording dates directly from Record Labels.

-attend "by-invitation-only" Artist showcases.

-receive "pre-press" notices of events such as Artist record deal signings, Record Producer assignments, and recording schedules from Labels and Artist Managers.

-And last, but certainly not least, we get tips and info from a substantial network of friends and business associates (for which we are eternally grateful!)

-Once we know the recording project managers' preferred pitching method, we schedule and make our pitches accordingly during the window of opportunity relative to each Artists' Project.

Sit Down Meetings... We are fortunate to have earned the (much sought after) privilege of sit down meetings with Record Label A&R Reps, Producers, Artist Managers, and sometimes the Artists themselves. Our time is limited in these meetings, but usually we get to pitch 5 to 10 songs. The songs pitched in these meetings must be the best possible pitches for the project. Otherwise, we will not be granted another appointment. It's also important to note that we're often asked to bring additional pitch comps to these meetings which creates the opportunity to pitch more Springbarrel songs. Since the Label Reps have heard the "cream of the crop" at the sit down meetings, they automatically associate our name with great songs and are far more likely to listen when pitch comps arrive bearing the Springbarrel or SSServices label. This opens up additional opportunities for songs written by our new and upcoming writers to be heard by the right people.

Requests To Hand Deliver Pitch Comps... When sit down meetings aren't immediately possible due to the time constraints of a Label Rep's current daily schedule, they will honor us with a request to hand deliver pitch comps directly to their offices. (Many listen to comps while commuting to and from work.) These pitches are followed with calls and emails so the Rep can be sure the pitch is pertinent and has been requested by them personally.

Requests to Mail Pitch Comps... On a given day it would be difficult (if not impossible) for any person to be the acquaintance of every Rep at every Label in every music market across the country. Along with the enormity of this is the fact that a few Labels insist they don't grant sit down meetings because their Artists write the vast majority of their own material. For these and other reasons, we sometimes request the privilege of mailing pitch comps to out-of-town Reps. But, we do so only after contacting the right person at the Label to obtain the info needed to properly make the pitch. Nonetheless, we're glad to report this method can be successful. We regularly receive emails and calls thanking us for pitch comps we've mailed to projects recorded outside Nashville.

In-Office Meetings... Producers, A&R Reps, and Artists make appointments to stop by our office to listen to new material and have pitch comps be prepared for them. We are happy to report that the frequency and duration of these meetings has increased from day one. Not only are we able to extend our hospitality to these decision makers, we provide them additional songs to consider at their convenience for current or upcoming projects.

Lunch Meetings... These meetings are a well-tested method of staying informed. We're able to casually discuss upcoming Artist Projects, get updates on the types songs already cut, the type of material still needed for the Artist, and other pertinent project information.

Songplugger Group Meetings... Our involvement with Professional Songplugger Groups allows us to further develop relationships with guest speakers chosen among the A&R Reps, Producers, Artists, and Managers we have mentioned so often in these paragraphs. The up-close-and-personal nature of these informative meetings means the shared experiences of the individual members will benefit all. In fact, membership in professional organizations is as important in the music industry as it is in any other business.

Summary... In closing, it's important to note that although certain aspects of our business may seem quite simple on the surface, the opportunity for success in music is usually earned over time - it is the culmination of much effort made through many relationships that are developed throughout the years. And, while ever-mindful that the writer's goal of composing a great song presents its own set of challenges, we heartily welcome the great challenge of finding that song a good home.

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Thank you for taking the time to learn more about Springbarrel.

We will be happy to email you more information if requested.

Just Email Us
Putting FAQ REQUEST In The Subject Box. Thank You For Your Interest In Springbarrel Songwriter Services. We look forward to hearing from you.


FAQ REQUEST

Because our business is based on pitching great songs, we need to listen to your material before we could offer an Independent Songplugging Agreement on a particular song or catalog. If you would like for the Springbarrel Staff to review your material our mailing and office addresses are below.


Thank You

Remember for a quicker response from Springbarrel, please email us at: springbarrelinfo@aol.com

If you do call know that we will contact you soon as possible. You do not have to call or email for permission to submit material for review.

Please send CD compilation or SEE Program submission to our mailing address: Springbarrel P.O. Box 344 Hendersonville, TN 37077-0344


Mail Your CDs To Our Mailing Address

Springbarrel Songwriter Services

P.O.Box 344

Hendersonville, TN 37077-0344

Attn: Carol Perdew


Visit Us At Our Offices:

Springbarrel Songwriter Services

1008 17th Ave. South

Nashville, TN 37212

615-310-4391

Your submission of compositions for review constitutes agreement with the Indemnification Clause stated below.

INDEMNIFICATION:
Songwriter/ Publisher hereby indemnifies and holds harmless Independent Songpluggers of Springbarrel Songwriter Services (Company) and any divisions of Springbarrel with regard to any action or claim brought with respect to the list of compositions submitted for review.




"There are a lot of other Songpluggers and then there's Springbarrel! Springbarrel sets itself apart from the competition by truly caring about each and every client! We've dealt with a lot of other pluggers but none compare with how Carol Perdew and the folks at Springbarrel make you feel, they really take getting your songs cut seriously. They have gotten us 3 Cuts and numerous holds. At Springbarrel it's not just a business, it's a relationship! Thanks Carol you and your crew are the greatest!"


Jerry Blackburn & Ron Stevens

Miles Apart Publishing, Inc.



"Hi Carol and all at Springbarrel,"
"Thank you Springbarrel, for pitching two wonderful songs that we recorded on my latest album ‘Life’s Miracle’. Both song titles, Look What "He’s Given To Me" and "Waiting On A Miracle" have proven to be very popular with the public here in Ireland and elsewhere. I do look forward to working with you all again in the near future. Keep on making and finding great music and songs."
"God Bless you all!"

James Kilbane.

James Kilbane (Artist)

"Springbarrel is THE place to find great songs, get wonderful feedback on your own songs, and is THE #1 place to get your songs into the "right" hands! I will forever be grateful for all of the Springbarrel family's advice and hard work over the years, and, I look forward to working with them for many more to come!"

Holly Lucas (Artist)


"Working with the folks at Springbarrel was one of the smartest moves we ever made as songwriters. Carol and Howard are genuine and honest, and Carol is one of the hardest working songpluggers out there."

Marvin Adcock & John Bizzack

BSF Songs LLC

"Carol, I can't thank you enough for your help and faith in me. If there where ever a Grammy for song plugger, music lover and/or a top profesional on Music Row in Nashville, it should be you. ( Just as long as it - the Grammy - doesn't literally melt like mine ) - you know the story !!! LOL !! Congrats also on your "family" at Springbarrel and Bayou Recording Studio. The best !!"
"God Bless," Duane Hitchings

Writer of "Do Ya Think I'm Sexy"

Duane Hitchings









Staff At Springbarrel Songwriter Services

Springbarrel Songwriter Services, LLC is proud to announce Jason Duke and Sarah Davison have joined Creative Manager Glen E. Robba and Creative Director Carol Perdew as the Company moves ahead as an effective conduit to artists, labels, managers and producers.


Jason Duke

VP Creative Services / Songplugger

Duke brings his experience in artist management, publicity, promotions and songplugging to the Creative Service of Springbarrel and the song catalogs of Howard Perdew Music, Thom Shepherd, Mila Mason, Duane Hitchings, Anna Lisa Graham, Rachel Williams, Kim Copeland and Jerry Strickland. Jason will handle songplugging duties and work to coordinate successful co-writing/publishing relationships. Duke is a member of the highly regarded songplugging group The Mocha Network, and as a commited member of the local music community, Jason works closely with NSAI, SOLID, and the Country Music Hall of Fame sponsored “Words and Music” program.


Sarah Davison

Administrative Coordinator

With a background in customized software systems and Microsoft applications, Davison will provide time-sensitive support to Springbarrel Clients through Quarterly Pitch Info Reports as well as perform tracking, filing, correspondence, documentation requests, and general administrative duties. Davison will also keep Springbarrel clients up to date on songs scheduled for pitches and any pertinent activity of catalogs represented by the Company.


Glen E. Robba

Creative Manager

As part of the Creative Management Team, Robba continues his responsibility for managing Springbarrel and Single Song Services Active Writer Roster catalogs and will now assist with songplugging duties handling a major portion of artist project requests outside the Nashville arena.


Carol Perdew

Creative Director

Carol Perdew began a music industry career in 1970 as member of WSM television's "Young Country," a popular weekend feature showcasing Music Row's new talent. As an artist she made TV and personal appearances opening for established acts Mel Tillis, Conway Twitty, Ronnie McDowell and others. During this period, Perdew and future husband, award winning songwriter Howard Perdew, signed songwriting contracts with Lair Music Publishing under the direction of Fred Carter, Jr.. Perdew has worked within the organizations of artists Joe Diffie, Tim McGraw and Ty Herndon. Currently holding the position of Creative Director for Springbarrel Songwriter Services and Howard Perdew Music. It is her honor to work with and support the Nashville Songwriters Association International (NSAI). Perdew's goal is "to assist songwriters in sharing their God-given talents and to generally promote Country Music as an important American music genre."


Springbarrel clients have had songs recorded by Joe Diffie, Alan Jackson, Martina McBride, Craig Morgan, George Strait, Travis Tritt, Darryl Worley, Gary Barlow and Rod Stewart, as well as many Independent Artists. Our clients have also composed music placed in prime time tv series, daytime soaps, as well as national ads by Ford Motor Company and Applebee's Restaurants, including the latter's current "Carside To Go" campaign.




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